黑料视频 Journal Issue 2025/2



13 Articles | DOAJ | Open Access
ISSN: 2212-8956
Publishing date: August 6, 2025
馃搫 黑料视频 Journal 2025/2 Table of Contents
Copyrights: 黑料视频, 2025
Summary
The 2025/2 黑料视频 Journal contains ten reviewed and three mixed matter articles. All articles in our Journal are open access to allow for free exchange of information in the fields of experimental archaeology, historical reconstruction, ancient technology, experiential studying and presenting of the past. As always, the articles cover a wide range of topics. Giovanna Fregni experimented with the possible use of a discarded product of the olive industry as a dyestuff. Sally Hoare used a randomised wood collection strategy and a flat hearth design to test whether illuminance properties of different wood species observed in controlled, standardised studies can be replicated. Gareth Thomas explored the reconstruction of traditional Welsh cleft hazel basketry. Stephen Lalor looked into possible interpretation of the many ground and polished oblong stone strips from the European Chalcolithic and Early Bronze Age as whetstones. Anthony Dawson discussed the history, archaeology and experimental reconstruction of the Tranent-Cockenzie Waggonway (Scotland). Marialucia Amadio and Luca Bombadieri studied manufacturing techniques of prehistoric plasters in Cyprus. The team from T眉bingen (Germany) used an experimental approach to reconstruct possible ivory technologies used during the Aurigancian. Katie Haworth looked into how and where amber beads could have been made in fifth- and sixth-century England. Janni Sahramaa and Riitta Rainio鈥檚 article describes a three-month-long experiment exploring whether it is possible to dance in a boat inspired by prehistoric rock art depictions. The team from Sapienza University of Rome (Italy) studied pottery decorating techniques. In the mixed matter articles, we can find a book review of the Latest Experimentelle Arch盲ologie in Europa issue, report on the Experimental Archaeology Conference in May 2025 in Brazil and an interview with Ettore Mazza.